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Cappella di San Brizio, frescoes by Luca Signorelli in Orvieto Cathedral

Fra Angelico · Luca Signorelli · 1447–1504

Cappella di San Brizio

The great cycle of the Last Days and the Last Judgement: one of the pinnacles of the Italian Renaissance in the heart of Orvieto Cathedral.

The Renaissance Masterpiece

A work in dialogue with Michelangelo

Inside Orvieto Cathedral opens the Cappella di San Brizio (Chapel of San Brizio), famous for its fresco cycle of the Last Days, begun by Fra Angelico in 1447 and completed by Luca Signorelli between 1499 and 1504.

Art historians recognize in these images a fundamental source of inspiration for Michelangelo, above all in the anatomical power of the bodies and in the composition of the Judgement scenes.

1447
Fra Angelico begins the work
10,000
Shots taken for the digitisation

1447

Fra Angelico Begins the Work

In 1396 the Orvieto citizen Tommaso di Micheluccio left a bequest in his will for the building of a chapel dedicated to the Assumption. The chapel, completed in 1444, took the name of San Brizio after the panel of the Madonna di San Brizio was moved there in 1622.

On 14 June 1447 the Opera del Duomo signed the contract with Fra Angelico to fresco the chapel on the theme of the Last Judgement. Angelico painted Christ the Judge and the segment of the Prophets on the vault before leaving for Rome.

Self-portraits of Fra Angelico and Luca Signorelli in the Cappella di San Brizio

The two masters appear in the frescoes as witnesses to the great eschatological narrative.

1499–1504

Luca Signorelli Completes the Masterpiece

On 5 April 1499 the Fabbrica reached an agreement with Luca Signorelli to continue the work. On 27 April 1500, once the vault decoration was finished, a second contract entrusted him with the whole chapel.

On the walls Signorelli painted the scenes of the Sermon of the Antichrist, the End of the World and the Last Judgement, creating one of the most powerful cycles in Renaissance painting.

Good to know

The walls and vaults of the chapel have been digitised with 10,000 ultra-high-definition shots and can also be explored virtually.

Sermon of the Antichrist by Luca Signorelli in the Cappella di San Brizio

The Sermon of the Antichrist is one of the most celebrated images of the whole cycle.

Practical Information

How to Visit the Chapel

During liturgical celebrations at the high altar and in the Cappella di San Brizio, tourist visits are not permitted. Access to the chapel follows rules set by the Opera del Duomo, which also govern guided visits, group bookings and the alternation between groups and individual visitors.

Opening hours and tickets may change during the year. Up-to-date information is always published on the official channels of the Opera del Duomo.

Official tickets → Bookings and enquiries →

Frequently asked questions

FAQ — Cappella di San Brizio

Who painted the Cappella di San Brizio?
The chapel was frescoed in two phases: Fra Angelico began the work in 1447, while Luca Signorelli completed it between 1499 and 1504.
Why is the Cappella di San Brizio famous?
It is celebrated for its cycle of the Last Days and the Last Judgement, considered one of the great masterpieces of the Italian Renaissance.
Did Signorelli’s Last Judgement inspire Michelangelo?
Yes. Signorelli’s frescoes are recognised as an important source of inspiration for Michelangelo in the Sistine Chapel.
How much does it cost to visit the Cappella di San Brizio?
Admission conditions for the chapel are set by the Opera del Duomo and can change during the year. Current details are on the official Opera del Duomo website →
Why is it called the Cappella di San Brizio?
The name comes from the Madonna di San Brizio, moved into the chapel in 1622. It was originally a chapel of the Assumption.